Lookingglass Theatre announces casting for Beyond Caring and Moby Dick
Lookingglass Theatre Company announces casting for the final two shows of its 2016-2017 season, including the U.S. Premiere of Beyond Caring, written and directed by Alexander Zeldin in association with Dark Harbor Stories, a company led by Ensemble Member David Schwimmer and Tom Hodges, as well as the remount of the Jeff Award-winning Moby Dick, adapted from the novel by Herman Melville and directed by Ensemble Member David Catlin. Single tickets for Beyond Caring and Moby Dick will go on sale on Tuesday, January 17 at Noon and may be purchased through the box office at (312) 337-0665 or lookingglasstheatre.org.
The cast of the U.S. Premiere of Beyond Caring includes Ensemble Member J. Nicole Brooks (Becky), Edwin Lee Gibson (Phil), Wendy Mateo (Susan), Caren Blackmore(Grace) and Keith Gallagher (Ian).
The creative team for Beyond Caring includes Ensemble Member Daniel Ostling(scenic and lighting design), Ensemble Member Mara Blumenfeld (costume design),Josh Anio Grigg (sound design and composition) and Amanda Herman (props design). Tess Golden is the Production Stage Manager.
The cast of Moby Dick includes Ensemble Members Kareem Bandealy, Anthony Fleming III and Raymond Fox who return to reprise their roles as Starbuck, Queequeg and Stubb from the critically-acclaimed 2015 production. Also returning to the production is Artistic Associate Kasey Foster (Fate 2), along with Jamie Abelson(Ishmael) and Micah Figueroa (Cabaco). Joining the cast are Kelley Abell (Fate 3),Cordelia Dewdney (Fate 1) and Nathan Hosner (Ahab).
The creative team for Moby Dick includes Courtney O’Neill (scenic design), Sully Ratke (costume design), William C. Kirkman (lighting design), Artistic Associate Rick Sims (sound design), Isaac Schoepp (rigging design), Amanda Herrmann (props design) and Artistic Associate Sylvia Hernandez-Distasi (choreography).
About Beyond Caring and Moby Dick:
The U.S. Premiere of
March 22–May 7, 2017
Press opening: Saturday, April 1 at 7:30 pm
Written and Directed by Alexander Zeldin
In Association with Dark Harbor Stories
Featuring Ensemble Member J. Nicole Brooks (Becky), Edwin Lee Gibson (Phil),Wendy Mateo (Susan), Caren Blackmore (Grace) and Keith Gallagher (Ian).
Unseen. Unheard. Unknown.
At the margins of society, on the knife-edge of survival, they work for low wages, in harsh conditions. No safety net. No insurance or protections. No guarantee of worktomorrow.
This critically-acclaimed piece, most recently produced at the UK’s National Theatre and re-imagined for Chicago by writer/director Alexander Zeldin, is a gritty portrait of those who cling precariously to the bottom rung of the ladder. Full of life, humor, and tenderness, it sheds light on America’s shadow economy and shines an unflinching spotlight on the incendiary intersection of race and class.
Beyond Caring will be produced in association with Dark Harbor Stories. Dark Harbor Stories is a company led by David Schwimmer and Tom Hodges dedicated to producing original stories with a social conscience in theatre, television and film. Lookingglass Ensemble Member David Schwimmer brought this project to Lookingglass, and is working closely with writer/director Alexander Zeldin on the production, and collaborating with Lookingglass to develop the necessary attention and funds for this exciting project.
ALEXANDER ZELDIN (Writer/Director) is a writer and director for theatre. He trained on the Jerwood Young Directors course at The Old Vic and has taken part in residencies at the Egyptian Centre for Culture and Art and at Studio Emad Eddin in Cairo. His critically-acclaimed play, Beyond Caring, which examined the effects of zero hours contracts had its World Premiere at The Yard Theatre in Hackney in 2014, before transferring to the Temporary Theatre at the National Theatre in London in 2015. In 2015, Alex was the recipient of The Quercus Trust Award and was appointed as Associate Director at The Birmingham Repertory Theatre. Beyond Caring toured the UK in 2016 and his new play LOVE just opened at the National Theatre in London.
CAREN BLACKMORE (Grace) is making her Lookingglass debut with Beyond Caring. She was last seen in Court Theatre’s production of Electra. Her Chicago theatre credits include: a one woman show, The MLK Project: The Fight For Civil Rights (Writers Theatre), Spill (TimeLine Theatre), Jitney! (Court Theatre), The Joe Tex Story (Black Ensemble Theater), and she has also worked with Pegasus Players, Stockyards Theatre Project, Theater Wit, The Loop Players, Congo Square Theatre Company, eta Creative Arts Foundation and MPAACT. Caren has attended New Freedom Theatre in Philadelphia and is a graduate of Oberlin College and the Eugene O’Neill National Theater Institute
NICOLE BROOKS (Becky/Lookingglass Ensemble Member) is an actor, wordsmith, and director. Recent stage credits include the acclaimed comedy Immediate Familydirected by Phylicia Rashad (Goodman Theatre; Mark Taper Forum), and Lucas Hnath’s Death Tax (Lookingglass Theatre). She is author of Black Diamond: The Years the Locusts Have Eaten (published by Methuen), Fedra Queen of Haiti (published University of Illinois Press) and has several plays in development. Directing credits include Thaddeus & Slocum: A Vaudeville Adventure, Black Diamond, and Mr. Rickey Calls a Meeting (Lookingglass Theatre). Prized ribbons: TCG Fox Foundation Resident Actor Fellowship, National Endowment for the Arts, LA Ovations, African American Theatre Alliance of Chicago, Jeff Award Nominations, and Black Theater Alliance Awards.
KEITH D. GALLAGHER (Ian) is making his Lookingglass debut. Chicago: Mary Page Marlowe, Marie Antoinette (Steppenwolf Theatre Company); The Gospel of Franklin, Man in Love (Steppenwolf First Look); Awake and Sing, The Lieutenant of Inishmore (Northlight Theatre); Shining City (Goodman Theatre); Tracks (TUTA Chicago); Arcadia (Court Theatre); The Real Thing (Remy Bumppo Theatre Company). Regional: A Raisin in the Sun (Geva Theatre Center); The Gospel According to James(Indiana Repertory Theatre); The Lieutenant of Inishmore (The Repertory Theatre of St. Louis); Shining City (Huntington Theatre Company). TV: Chicago Fire; Chicago P.D.; Detroit 187.
EDWIN LEE GIBSON (Phil) is making his Lookingglass debut. Off Broadway: Love and Information, U.S. premiere (The Minetta Lane Theatre/New York Theatre Workshop);The Seven (New York Theatre Workshop); The Bellagio Fountain Has Been Known To Make Me Cry (Concrete Temple Theatre, NYC); Turquoise (Dixon Place, NYC); The Death of Bessie Smith (New Brooklyn Theatre); The Diary of Black Men (Fairfield Halls, London). Chicago credits: The Royale (American Theater Company); St. James Infirmary (Congo Square Theatre Company). Awards: OBIE Award – Outstanding Performance. TV: recurring role as Orton Freeman on Law and Order: SVU (NBC);Shameless (Showtime). Film: Mom and Dad (Armory Films/Brian Taylor); Marshall(Chestnut Ridge Prods/ Reginald Hudlin); Blood First (NaRa Films).
WENDY MATEO (Susan) returns to the Lookingglass after last appearing as “Mother-in-Law” in Blood Wedding (2016) and “Maria” in Big Lake Big City (2013). Other Chicago credits include Tumbao: The Misadventures of la Familia Pilón at Steppenwolf Theatre Company’s 1700 Theatre and Don Chipotle produced by The Playground Theater. Wendy can also be seen on the many comedy stages around Chicago and at Mas Mejor online with the comedy duo, Dominizuelan. TV credits include: Shameless(Showtime), Chicago P.D. (NBC), and The Exorcist (FOX).
June 7–September 3, 2017
Press Opening: Saturday, June 17 at 7:30 pm
Adapted and Directed by Ensemble Member David Catlin
From the book by Herman Melville
In Association with The Actors Gymnasium
Featuring Ensemble Members Kareem Bandealy as Starbuck, Anthony Fleming IIIas Queequeg (2015 Jeff Award for Best Actor in a Supporting Role) and Raymond Foxas Stubb, and Artistic Associate Kasey Foster (Fate 2), with Jamie Abelson(Ishmael), Micah Figueroa (Cabaco), Kelley Abell (Fate 3), Cordelia Dewdney (Fate 1) and Nathan Hosner (Ahab).
Winner of four Jeff Awards, including Best Production, fresh off a national tour to the Alliance Theatre, Arena Stage and South Coast Repertory, the critically-acclaimedMoby Dick returns to the Lookingglass stage in this harrowing and intoxicating exploration of revenge, obsession, and destiny.
Madness rages like the angry sea when man pits himself against leviathan in Herman Melville’s epic and poetic tale, furiously reimagined by director David Catlin (Lookingglass Alice).
Climb aboard the Pequod with Ishmael, Starbuck, and the intrepid crew on a voyage into the darkest reaches of the human psyche with an insatiably driven Captain Ahab at the helm in reckless pursuit of the legendary white whale.
David Catlin (Adaptor/Director/Ensemble Member) Lookingglass directing credits include: Lookingglass Alice and The Little Prince. Other regional directing credits include: McCarter Theatre (Princeton, NJ), Arden Theatre (Philadelphia), New Victory Theater (NYC), Syracuse Stage, Actors Theatre of Louisville, Alliance Theatre (Atlanta) and The Getty Villa (Los Angeles). Other recent directing credits include: The Phantom Tollbooth (DePaul) and Moby Dick (Northwestern University). David teaches acting with Northwestern University’s theatre department.
KELLEY ABELL (Fate/Innkeeper) returns to Lookingglass after previous appearances in Peter Pan (A Play) and Moby Dick. Other credits include: Moby Dick (Arena Stage, South Coast Repertory Theatre, and Alliance Theatre); 42nd Street and Fiddler on the Roof (Paramount Theatre); Mr. Burns: A Post Electric Play (Theater Wit); Dorian (The House Theatre of Chicago); Bat Boy: The Musical and Titanic (Griffin Theatre). She has also worked with Goodman Theatre, The Marriott Theatre, and Chicago Children’s Theatre, and is a graduate of Northwestern University.
JAMIE ABELSON (Ishmael) previously appeared at Lookingglass in the initial run ofMoby Dick, as well as Peter Pan (A Play) and Treasure Island (Understudy). Other recent projects include Red Kite Treasure Adventure and Red Kite Blue Sky (Chicago Children’s Theatre); The Lieutenant of Inishmore (Northlight Theatre); Eurydice (Victory Gardens Theater); Scenes from the Big Picture (Irish Theatre of Chicago); As Told by the Vivian Girls (Dog and Pony Theatre Co.); columbinus (Raven Theatre); and Hope Springs Infernal & Dorian (The House Theatre of Chicago). Regional credits includeMoby Dick (Alliance Theatre, Arena Stage, South Coast Repertory). Jamie holds a BFA in Drama from the Tisch School of the Arts at NYU.
KAREEM BANDEALY (Starbuck/Ensemble Member) has previously been seen at Lookingglass in Blood Wedding, Moby Dick, The Little Prince, Big Lake Big City, Bengal Tiger at the Baghdad Zoo, The Last Act of Lilka Kadison, and Peter Pan. Select Chicago credits: A Christmas Carol, Rock ‘N’ Roll, Gas For Less, King Lear (Goodman Theatre); The Wheel (Steppenwolf Theatre Company); Oklahoma! (Paramount Theatre); The Good Book, The Illusion (Court Theatre); Julius Caesar, Hamlet, The Caretaker, Heartbreak House (Writers Theatre); A Midsummer Night’s Dream, Edward II, Romeo and Juliet (Chicago Shakespeare Theater); A Disappearing Number, Blood and Gifts (TimeLine Theatre);Othello (The Gift Theatre). Regional: The Merry Wives of Windsor, The Three Musketeers, The Tempest (Illinois Shakespeare Festival); Love’s Labours Lost (Notre Dame Shakespeare Festival); Julius Caesar, Stuff Happens (PICT Classic Theatre), and four seasons at Orlando Shakespeare Theater. Film: several credits including The Merry Gentleman (dir. Michael Keaton). TV: Chicago Fire (NBC). Kareem is a recipient of the 2011 3Arts Artist Award.
CORDELIA DEWDNEY (Fate) returns to Lookingglass with Moby Dick after the National Tour this past year to Alliance Theatre, Arena Stage, and South Coast Repertory). Last summer she appeared on Chicago Med. Cordelia is a graduate of Northwestern University with degrees in Theatre and English and a proud alum of the British American Dramatic Academy.
MICAH FIGUEROA (Cabaco/Captain of New Bedford Whaling Ship) returns to Lookingglass after appearing in the original production of Moby Dick in 2015, and inLookingglass Alice. Chicago theatre credits include: Tall Girl and the Lightning Parade(Walkabout Theater); The Winter Pageant (Redmoon Theater); Distance to the Moon(First Floor Theater). Regional theatre credits include: Moby Dick (Alliance Theatre, Arena Stage, South Coast Repertory); In the Beginning, Henry IV (Dallas Theater Center); The Farnsworth Invention, Wild Oats (Theatre Three); Coriolanus, Cyrano de Bergerac, Macbeth (Shakespeare Dallas); Titus Andronicus (Kitchen Dog Theater);Sense and Sensibility (Stolen Shakespeare Guild). He earned a BFA from Southern Methodist University and the British American Drama Academy.
Anthony Fleming III (Queequeg/Ensemble Member) was last seen at Lookingglass inMoby Dick in 2015 and Lookingglass Alice in 2014, which marked his tenth production of the show and where he completed 555 total performances. Other Lookingglass productions include Big Lake, Big City, Mr. Rickey Calls a Meeting, Arabian Nights, 1984, Icarus, Fedra and Race. Select regional theater credits: Ma Rainey with Milwaukee Repertory Theater and Clybourne Park with Arizona Theatre Company. Anthony is a Chicagoan who has been working since 1997 on Chicago stages, including Victory Gardens Theater, Steppenwolf Theatre Company, Goodman Theatre, Court Theatre, Chicago Theater Company, and Piven Theatre Workshop.
KASEY FOSTER (Fate/Artistic Associate) has been performing, producing, and directing in Chicago since 2004. She recently returned to Chicago after performing in the National Tour of Moby Dick and was newly named an Artistic Associate with Lookingglass. Kasey has appeared regionally at Arena Stage (Washington, D.C.), Alliance Theatre (Atlanta), Berkeley Repertory Theatre (CA), and most recently in Chicago with Lookingglass’ Treasure Island, and Manual Cinema’s Mementos Mori. She sings with Chicago bands: Grood, Babe-alon 5, Old Timey, and This Must be the Band. She has directed/choreographed over thirty original works, and produces an annual series called Dance Tribute.
RAYMOND FOX (Mr. Stubb/Captain Boomer/Captain Gardiner/Ensemble Member) last appeared at Lookingglass in Thaddeus and Slocum: A Vaudeville Adventure. Off-Broadway/Broadway: Metamorphoses (Second Stage Theatre, Circle in the Square Theatre). Regional Credits: Goodman Theatre, Seattle Repertory Theatre, Berkeley Repertory Theatre, Arena Stage, Arden Theatre, South Coast Repertory Theatre, Remy Bumppo Theatre Company, Route 66 Theatre, Hartford Stage, American Repertory Theatre, Indiana Repertory Theatre, Alliance Theatre, Meadow Brook Theatre, The House Theatre of Chicago, Mark Taper Forum, Court Theatre, McCarter Theatre, Kansas City Repertory Theatre, First Folio Theatre, Canada’s Stratford Festival and TimeLine Theatre (Blood and Gifts, 2013 Equity Jeff Award for Supporting Actor). Education: Northwestern University and the A.R.T. Institute at Harvard University.
NATHAN HOSNER (Captain Ahab) makes his Lookingglass debut. He recently played Lord Aster in the first national tour of Peter and the Starcatcher. Chicago credits include productions with Writers Theatre, Chicago Shakespeare Theater, Court Theatre, Goodman Theatre, Paramount Theatre, About Face Theatre, and First Folio Theatre. Regional credits include productions with American Players Theatre, Alabama Shakespeare Festival, Indiana Repertory Theatre, New Theatre, Illinois Shakespeare Festival, Arkansas Shakespeare Theatre, Door Shakespeare, and The BoarsHead Theater. Nathan is a graduate of The Royal Academy of Dramatic Art.
About Lookingglass Theatre Company
Inventive. Collaborative. Transformative. Lookingglass Theatre Company, recipient of the 2011 Regional Theatre Tony Award, was founded in 1988 by eight Northwestern University students. Now in its 29th season, Lookingglass is home to a multi-disciplined ensemble of artists who create story-centered theatrical work that is physical, aurally rich and visually metaphoric. The Company has staged 66 world premieres, received 116 Joseph Jefferson awards and nominations, and work premiered at Lookingglass has been produced in New York City, Los Angeles, Seattle, Berkeley, Philadelphia, Princeton, Hartford, Kansas City, Washington D.C., and St. Louis. Lookingglass original scripts have been produced across the United States. In 2016, Lookingglass received the MacArthur Award for Creative and Effective Institutions.
The Lookingglass Theatre in Chicago’s landmark Water Tower Water Works opened in June 2003. In addition to developing and presenting ensemble work, Lookingglass Education and Community programs encourage creativity, teamwork and confidence with thousands of community members each year.
Lookingglass Theatre Company continues to expand its artistic, financial and institutional boundaries under the guidance of Artistic Director Heidi Stillman, Executive Director Rachel Kraft, Producing Director Philip R. Smith, Connectivity and Engagement Director Andrew White, General Manager Michele Anderson, a 25 member artistic ensemble, 23 artistic associates, an administrative staff and a dedicated board of directors led by Chairman John McGowan of CTC| myCFO (a part of BMO Financial Group) and President Nancy Timmers, civic leader and philanthropist. For more information, visit lookingglasstheatre.org.