Goodman Theatre Suspends Performances Beginning Friday, March 13 To Mitigate COVID-19 Spread
In an effort to help mitigate community spread of COVID-19 (coronavirus), Goodman Theatre is suspending performances starting tomorrow (Friday, March 13) until further notice. This action is consistent with the directive of Illinois Governor JB Pritzker and Chicago Mayor Lori Lightfoot. The suspension affects the current production of School Girls; Or, The African Mean Girls Play by Jocelyn Bioh, directed by Lili-Anne Brown, a Chicago premiere that is currently in previews and was slated to open Monday, March 16—as well as all production-related events. Molly Sweeney by Brian Friel, directed by Robert Falls, has been postponed to an April 20 opening.
In a joint statement, Artistic Director Robert Falls and Executive Director Roche Schulfer said, “Goodman Theatre prioritizes the health and safety of our audiences, artists and staff. We hope this action will help the nationwide endeavor to contain this devastating virus. We will continue to monitor this situation as it unfolds and communicate plans for the future. We are grateful for all that our artists and staff have invested in this production, and appreciate our audience and patrons’ understanding and support during these unprecedented times.”
Options for ticket holders include a credit towards a future Goodman production or a tax deduction for the total value. Goodman Patron Services will be in touch to make arrangements, or patrons can email [email protected] or call 312.443.3800. Tickets to future productions continue to be available. Visit GoodmanTheatre.org for the latest updates.
ABOUT THE PRODUCTIONS
The Chicago premiere of Jocelyn Bioh’s School Girls; Or, The African Mean Girls Play, directed by Lili-Anne Brown, appears at the Goodman on the heels of a critically acclaimed, extended run Off-Broadway at MCC Theater. As the reigning queen bee at Ghana’s most exclusive boarding school sets her sights on the Miss Universe pageant, a new student unexpectedly changes the game, forcing her to defend her reputation—and status. This “nasty-teen comedy, wonderfully refreshed and deepened” (The New York Times) spotlights the universal similarities—and glaring differences—of teenage girls around the globe. The ensemble cast features Adia Alli (Gifty), Katherine Lee Bourné (Ama), Kyrie Courter (Ericka Boafo), Ashley Crowe (Nana), Ciera Dawn (Paulina Sarpong), Tiffany Renee Johnson (Mercy), Tania Richard (Headmistress Francis) and Lanise Antoine Shelley (Eloise Amponsah). The creative team includes Yu Shibagaki (Set Design), Samantha C. Jones (Costume Design), Jason Lynch (Lighting Design) and Justin Ellington (Sound Design). Alden Vasquez is the Production Stage Manager and Kimberly Ann McCann is the Stage Manager. JPMorgan Chase & Co. is the Major Corporate Sponsor and ITW and PwC LLP are Corporate Sponsor Partners of the production.
Robert Falls’ revival of Molly Sweeney by Brian Friel—“a towering figure of the stage, from Dublin to Broadway” (The Guardian)—features Kate Fry in the title role; Brendan Coyle as Molly’s husband, Frank Sweeney, and Christopher Donahue as Mr. Rice. The creative team includes Todd Rosenthal (Set Design), Noel Huntzinger (Costume Design), Eric Southern (Lighting Design) and Richard Woodbury (Sound Design and Composition). Nikki Blue is the Production Stage Manager. Katten is the Corporate Sponsor Partner and American Airlines is Contributing Sponsor.
ABOUT GOODMAN THEATRE
Chicago’s theater since 1925, Goodman Theatre is a not-for-profit arts and community organization in the heart of the Loop, distinguished by the excellence and scope of its artistic programming and community engagement. Led by Artistic Director Robert Falls and Executive Director Roche Schulfer, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large scale musical theater works and reimagined classics. Artists and productions have earned two Pulitzer Prizes, 22 Tony Awards and more than 160 Jeff Awards, among other accolades. The Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” Its longtime annual holiday tradition A Christmas Carol, now in its fourth decade, has created a new generation of theatergoers in Chicago. The Goodman also frequently serves as a production and program partner with national and international companies and Chicago’s Off-Loop theaters.
As a cultural and community organization invested in quality, diversity and community, Goodman Theatre is committed to using the art of theater for a better Chicago. Using the tools of the theatrical profession, the Goodman’s Education and Engagement programs aim to develop generations of citizens who understand the cultures and stories of diverse voices. The Goodman’s Alice Rapoport Center for Education and Engagement is the home of these programs, which are offered free of charge for Chicago youth—85% of whom come from underserved communities—schools and life-long learners.
Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation of the new Goodman center in 2000.
Today, Goodman Theatre leadership also includes the distinguished members of the Artistic Collective: Brian Dennehy, Rebecca Gilman, Henry Godinez, Dael Orlandersmith, Steve Scott, Kimberly Senior, Chuck Smith, Regina Taylor, Henry Wishcamper and Mary Zimmerman. David W. Fox, Jr. is Chairman of Goodman Theatre’s Board of Trustees, Denise Stefan Ginascol is Women’s Board President and Megan McCarthy Hayes is President of the Scenemakers Board for young professionals.