Deaf + hearing actors team up in Neverbird’s “Pinocchio” at Chicago Children’s Theatre, The Station, 4/20-5/7

Deaf + hearing actors team up in Neverbird's "Pinocchio" at Chicago Children's Theatre, The Station, 4/20-5/7 1 Since its launch in 2005, Chicago Children's Theatre has cemented its reputation as the city's largest professional theater company devoted exclusively to children and young families.
Young hearing and Deaf actors will perform on stage together in a signed and voice presentation Pinocchio, only the second production in the new Chicago Children’s Theatre, The Station.
Presented in association with Chicago’s Neverbird Project, this all-new production of Pinocchio promises to spring to life as an inclusive and inventive take on the classic fairy tale.
Performances are April 20-May 7, 2017 in Chicago Children’s Theatre’s new 149-seat Pritzker Family Studio Theatre at The Station, 100 S. Racine Avenue, in Chicago’s West Loop community.
You think you know the story of Pinocchio, but you’ve never experienced it like this. Who doesn’t love the familiar tale of a boy marionette, a toy maker and a talking cricket? Pinocchio’s quest to become a real boy is a love letter to our youth, and the life that’s ahead of us – just so long as we put one foot in front of the other.
With Neverbird’s unique integration of Deaf and hearing actors, children will see this beloved fairy tale in a whole new way, and with a fresh perspective on the story’s central question – how do you allow joy and grief to live in your heart simultaneously?
“This production is an example of ground floor inclusion and accessibility,” said Levi Holloway, co-founder of Neverbird Project, which first presented Pinocchio in 2016 at Bell Elementary School, a CPS school with a focus on integrating Deaf and hearing students.
“We are teaching all of our hearing actors ASL to tell the story, to enrich relationships between our Deaf and hearing artists onstage and off. We at Neverbird believe that total accessibility and inclusion is a necessity in American theater.”
To that end, ASL is a native part of the world of the play, and every actor will sign. Through light, sound, spectacle and ASL, this Pinocchio will speak to every age and ability for an unforgettable family theater experience about love, loss, family and hard choices that aren’t so hard in the moment.
Neverbird Project’s adaptation of Pinocchio is co-written and co-directed by Levi Holloway and Katy Boza. The principal cast features Julissa Contreras, who is Deaf, as Pinocchio, with Haley Bolithon as Blu, Sarah Cartwright as Cricket, Chris Chmelik as Geppetto, Skyler Schremp as Cypress/Hannah and Mary Williamson as Redd the Puppet Master.
Claudia Tani plays Corktopp, Steven Huetteman is Blowpopp and Elijah Jackson plays Lampwick. The Afters/Redd’s Troupe of Vaudevillian Puppets are played byMakeda Duncan, Leah Healy, Paige Healy, Delilah Lane, Sofia Richter Nia Sarfo, Isabelle Teruel and Tali Vittum.
The Pinocchio production team includes Matt Anderson (ASL director), Frank Maugeri (scenic design), Nicole Lambert (music director/choreographer), Jeffrey Levin (sound design/composer), Claire Chrzan (light design), Charlotte Mae Ellison (costume design), Yvette Alvardo (costume production), Larry Heutteman (prop design), Cole Von Glahn (production manager), Corinne Bass (production assistant) and JC Widman (stage manager.)
Pinocchio is based on the Italian children’s novel “The Adventures of Pinocchio” by Carlo Collodi, which was popularized by Walt Disney’s wildly successful 1940 animated musical fantasy film.
Pinocchio dates, times and ticket information
Performances are April 20-May 7 at the new Chicago Children’s Theatre, The Station, 100 S. Racine Avenue in Chicago’s West Loop.
Performance times are Thursday at 10 a.m., Friday at 7 p.m., Saturday at 2 p.m. and 6 p.m. and Sunday at 2 p.m.
Single tickets are $25. Save money with a Family 4-Pack, only $80. Run time is 60 minutes. Pinocchio is intended for ages 7 and up.
For tickets and information, visit or call (872) 222-9555. Email or call (773) 227-0180 x 321for discounted group rates for schools, playgroups and scouting groups.
Access Weekend for 

Access Weekend for Pinocchio is Saturday and Sunday, April 29 and 30, when services for persons with disabilities are integrated into public performances.These include:
Saturday, April 29 at 2 p.m.
Pre-show Touch Tour of the set for guests who are blind or have low vision (starts at 12:30 p.m.)
Audio Description for guests who are blind or have low vision
Open Captioning for guests who are Deaf or hard of hearing
Saturday April 29 at 6 p.m.
Open Captioning for guests who are Deaf or hard of hearing
Sunday, April 30 at 2 p.m.
Sensory Friendly for guests on the autism spectrum. Modifications are made to production elements like lighting, sound and music to avoid sensory overload, with a nearby Quiet Room.
Pre-show Touch Tour of the set for guests who are blind or have low vision (starts at 12:30 p.m.)
Audio Description for guests who are blind or have low vision
Open Captioning for guests who are Deaf or hard of hearing
For more information about access services, visit or contact Access and Inclusion Manager
Alex Mauney at
About Chicago Children’s Theatre, The Station
Chicago Children’s Theatre has transformed the former 12th District Police Station, located in the heart of Chicago’s West Loop neighborhood at 100 S. Racine Avenue, at the intersection of Racine and Monroe Street, into its first permanent home.
The new Chicago Children’s Theatre, The Station, is a beautiful, mixed-use performing arts and education facility designed to serve all Chicago families. In addition to presenting shows in the 149-seat Pritzker Family Studio Theatre, The Station boasts five brand new classrooms for performing arts instruction.Registration is open for a diverse roster of classes and camps for toddlers to teens in theater, storytelling, modern movement, film making, hip hop, craft, aerial circus arts and vocal instruction. Learn more at
Additionally, CCT now has its own dedicated space at The Station for Red Kite programming for children with autism and other special needs. This spring, children will participate in a new Red Kite Adventure, a multi-sensory theatrical experience tailored to the unique needs of each child who attends. The Station will also be home to Camp Red Kite, the only summer arts camp of its kind in Chicago for children on the autism spectrum.
About Chicago Children’s Theatre

Since its launch in 2005, Chicago Children’s Theatre has cemented its reputation as the city’s largest professional theater company devoted exclusively to children and young families.

The company evolved out of Chicago’s need for high-quality, professional year-round children’s programming to match the quality and significance of theatrical powerhouses such as Steppenwolf Theatre Company, Goodman Theatre and Lookingglass Theatre.
Likewise, CCT has always believed children should be treated as the sophisticated audiences that they are, showcasing high profile and award-winning talent, inventive production values and compelling stories that challenge, educate and entertain.
Audiences have embraced Chicago Children’s Theatre since its inaugural production, A Year with Frog and Toad, at the Goodman Theatre in 2006. Since then, CCT’s productions have featured everything from black-light scenery to live music to interactive four-dimensional sets to life-size puppets, with performances showcasing the heart of Motown to Vaudeville to contemporary, current and modern styles.
CCT has also built a national reputation due to its focus on new work, producing 15 world premieres in the last 11 years including The Selfish Giant, The Hundred Dresses, Jackie and Me, Dot and Ziggy, The Houdini Box, The Elephant and The Whale (in association with Redmoon), Mr. Chickee’s Funny Money, Leo Lionni’s Frederick, Wonderland, Alice’s Rock & Roll Adventure, A Snowy Day with Beatrix Potter, Jabari Dreams of Freedom, Another Snowy Day with Beatrix Potter and The Magic City. These enjoyed successful inaugural runs in Chicago, many followed by new productions at theaters across the U.S.
CCT has always honored a strong commitment to low-income families and children with special needs. In partnership with Chicago Public Schools, the company offers free tickets to more than 5,000 Chicago-area low-income students each season.

Led by Co-Founders, Artistic Director Jacqueline Russell and Board Chair Todd Leland, and Community Programs Artistic Director Frank Maugeri, Chicago Children’s Theatre is supported by a dynamic Board of Directors comprised of dedicated individuals from the fields of entertainment, philanthropy and business. Officers include Jeff Hughes, President; Lynn Lockwood Murphy, Vice Chair and Secretary; David Saltiel, Vice Chair; and David Chung, Treasurer. Chicago Children’s Theatre is sponsored in part by ComEd and Goldman Sachs Gives.

For more information, visit or call (773) 227-0180.
About Neverbird Project

The mission at Neverbird Project is to be a youth based artistic home of Unsettlers, as well as cartographers of the unvoiced and undiscovered territories within ourselves and others.
Through the use of American Sign Language, spectacle, and wonderment, Neverbird Project aspires to enrich and broaden the depths of our community by creating vibrant, diverse, question driven art for all.
Levi Holloway and Katy Boza are the founders and co-artistic directors. Hilary Williams is managing director.
For more information, visit