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Photo courtesy of 8220;Lucha VaVoom8221;

Photo courtesy of 8220;Lucha VaVoom8221;
In the midst of anticipation for the annual Chicago comedy takeover 8220;TBS Presents Just For Laughs8221;, a new contender on the festival bill promises to entertain with much more than biting one-liners and ensemble sketch. 8220;Lucha VaVoom8221;, thus far a budding underground success in both Los Angeles and New York City, boasts a delicate balance (is there any other sort?) between sultry burlesque and rock-8217;em sock-8217;em Mexican wrestling, complete with colorful capes and veiling masks. Karis, one of the headlining performers of the production, recently caught up with ShowBiz Chicago to discuss the inception of 8220;Lucha VaVoom8221;, what the Windy City can expect from a night out, and why hula-hooping wasn8217;t exactly his first career choice. But it may have just proven to be the best one.
Interview by Alissa Norby
ShowBiz Chicago: Mexican wrestling and burlesque? Tell me about how 8220;Lucha VaVoom8221; came to be.
Karis: The creators of 8220;Lucha VaVoom8221; are Liz [Fairbairn] and Rita [D'Albert]. They both used to work on a show together. Liz used to make costumes for the show and was involved with burlesque. She actually started dating a Mexican wrestler and began taking people to see these kinds of shows. After a while Liz and Rita came up with the idea of putting this show together. It really came together quite well. I mean what else can you ask for besides sex and violence [laughs].
ShowBiz Chicago: For our first time readers, what can audiences expect from a night at 8220;Lucha VaVoom8221;?
Karis: It truly is entertainment. It really gets you involved in what is happening. You can go to a lot of shows and feel very present, but with this all of the entertainers work to purposefully pull you in. We have everyone from wrestlers to dancers and they have been doing this for quite some time. All of the wrestlers are famous for their sport in Mexico. We all try to be at the top of our game for our audiences.
ShowBiz Chicago: How did you originally come to 8220;Lucha VaVoom8221;?
Karis: When I started performing I was doing belly-dancing shows. A mutual acquaintance of Rita and mine told her that she should hire me. So I went and did show with Rita called “Bollywood”, and afterward she wanted me to started working with “Lucha VaVoom”. I went to the show and absolutely loved it, but I didn’t think I wanted to be part of the production. When it started though it was really where all of the artists in the industry went, because it was a bit underground in that sense. People would just go and let loose. It was a very straight crowd though. I was fairly new to dancing at that point and I didn’t want to throw myself out there. But I went ahead and tried it, and it went really well. I opened the Halloween show and I completely fell for it. I have been with the show for five years now.
ShowBiz Chicago: You specialize in dance, trapeze and hula- hoop performance. What is your background in these forms? Who were your artistic influences?
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Photo courtesy of 8220;Lucha VaVoom8221;
Photo courtesy of 8220;Lucha VaVoom8221;
Karis: It was all a fluke. I did not grow up thinking that I was going to be hula-hooping for a living [laughs]. But I have been very blessed. I actually started with design, I had never done any kind of performance before. When I was in high school I was designing for artists like Marilyn Manson and Slipknot, Disturbed. It was so dark and I got really thrown into it a week after high school. After a year I was so burned out, I was getting about four hours of sleep each night. After that I took myself out and started hula-hooping as a way to relax, for something fun in my life. It just developed into what it is now. Someone saw me and put me in a show and it snowballed. Then I started performing trapeze and trained with a circus. It just took a life of its own. I never planned for this [laughs].
ShowBiz Chicago: You headline the burlesque component of the performance. How does the playful striptease work to complement the wrestling segments for the overall audience experience?
Karis: I really think that going back and forth between dancing and wrestling works more as a palate cleanser. If it were all wrestling it would be really boring, because you don’t want to sit through just two hours of wrestling or on the flip side, two hours of just dancing.
ShowBiz Chicago: The production has an interesting motto, 8220;Sexo y Violencia8221;, Spanish for sex and violence. Why do you think this pairing continues to entice so many people, in all entertainment mediums?
Karis: I think that it is so primitive. You have two things here that have always attracted people to action, violence and sex. So these have always worked as main forms of entertainment because it touches on our instincts. But with “Lucha VaVoom”, it can be a wonderful experience because it isn’t sleazy or exploitative, it is playful.
ShowBiz Chicago: How do you perceive the importance of sexual fluidity and gender ambiguity in the production?
Karis: We really try and do a rough-and-roll show, where we do not apologize for it at all. But at the same time, it’s not so hit-you-over-the-head. I go out and do my gender-bending performance, but that isn’t my talent. I actually have one of those, or at least I hope I do [laughs].
ShowBiz Chicago: From campy masks to stage names, the concept of persona plays a big role in Lucha VaVoom. What is its significance to both you and the performance?
Karis: The guys that wrestle are more like superheroes. They all have capes and things, which makes it more of a fantasy which can be wonderful, because again it is about playing with the audience. I am Mexican so I grew up watching these people on television. So personally it takes me back to that time, and it is easy to recognize the importance of that kind of entertainment for people.
ShowBiz Chicago: We often hear that the audience is the final character, or player, in more eclectic performance pieces. How does audience interaction affect a night at 8220;Lucha VaVoom8221;?
Karis: They are essential to the show because we need to feed off of the audience. The more they get into it, the better experience it is for everyone, because we give it our all. Our last show in Seattle I was so broken because I was just exhausted, but when I went out there and felt that energy, I just gave it my all and reached a new level. We want to include you in the experience. So in that sense the relationship between performers and audience is so important, it’s what makes the show wonderful.
8220;Lucha VaVoom8221; performs June 16, 2010 at the Park West Theatre in Chicago. For more information or to purchase tickets to this show and others appearing at the TBS Presents Just For Laughs festival, please visit www.JustForLaughsChicago.com.


Five nights. Twelve venues. More than 100 comedians. The laughter is returning to Chicago this summer with the second annual edition of TBS PRESENTS A “VERY FUNNY” FESTIVAL: JUST FOR LAUGHS, scheduled to take place Tuesday, June 15 – Saturday, June 19, 2010. Ellen DeGeneres, Cedric The Entertainer, Denis Leary, Russell Peters, Greg Giraldo, Jim Norton and Aziz Ansari are among the extraordinary comic talents slated to appear. Also on the roster are the wildly popular Lucha VaVOOM show and The Not Inappropriate Show, a sketch show for kids featuring Bob Odenkirk and some of LA’s hottest sketch performers. The Festival once again brings together the unprecedented comedy forces of TBS and Montreal’s Just For Laughs. Tickets for Festival performances will go on sale at 10 a.m. (CT) Monday, March 29, with additional programming to be announced soon.













