Porchlight’s Smash Hit “Billy Elliot” Extends To Dec. 31
Porchlight Music Theatre and Artistic Director Michael Weber are proud to announce the second extension of Billy Elliot the Musical through Sunday, Dec. 31. Billy Elliot the Musical with music by Elton John and book and lyrics by Lee Hall is directed and co-choreographed by Porchilght Artistic Associate Brenda Didier, with Co-Choreographer Craig V. Miller and music direction by Porchlight Artistic Associate Linda Madonia at Porchlght’s new home, the Ruth Page Center for the Arts, 1016 N. Dearborn Street. The current and extension performance schedule is included below.
The current schedule is Thursdays at 7:30 p.m., Fridays at 8 p.m., Saturdays at 4 p.m. and 8 p.m. and Sundays at 2 p.m. and a weekday matinee Thursday, Nov. 16 at 1:30 p.m.
The Extension Schedule with Thanksgiving Week and New Extension Dates:
Friday, Nov. 24 at 4 and 8 p.m.
Saturday, Nov. 25 at 4 and 8 p.m.
Sunday, Nov. 26 at 2 p.m.
Thursday, Nov. 30 at 7:30 p.m.
Friday, Dec. 1 at 8 p.m.
Saturday, Dec. 2 at 4 and 8 p.m.
Sunday, Dec. 3 at 2 p.m.
Thursday, Dec. 7 at 7:30 p.m.
Friday, Dec. 8 at 8 p.m.
Saturday, Dec. 9 at 4 and 8 p.m.
Sunday, Dec. 10 at 2 p.m.
Thursday, Dec. 14 at 7:30 p.m.
Friday, Dec. 15 at 8 p.m.
Saturday, Dec. 16 at 4 and 8 p.m.
Sunday, Dec. 17 at 2 p.m.
Thursday, Dec. 21 at 7:30 p.m.
Friday, Dec. 22 at 8 p.m.
Saturday, Dec. 23 at 4 and 8 p.m.
Sunday, Dec. 24 at 2 p.m.
Thursday, Dec. 28 at 7:30 p.m.
Friday, Dec. 29 at 8 p.m.
Saturday, Dec. 30 at 4 and 8 p.m.
Sunday, Dec. 31 at 2 p.m.
Please note: there is no 7:30 p.m. performance Thursday, Nov. 16. Tickets are $45 – $60 and available at PorchlightMusicTheatre.org or by calling the Porchlight Music Theatre box office, 773.777.9884.
Billy Elliot the Musical is based on the 2000 film “Billy Elliot” and features music by Elton John with book and lyrics by the film’s screenplay writer Lee Hall. Winner of both the Tony Award and Olivier Award for Best Musical, Billy Elliot the Musical is an inspirational story set in an English mining town during the miners’ strike of 1984-85. Billy Elliot takes a journey from the boxing ring to a ballet class to make his dreams come true while challenging the long held beliefs of his hometown. Along the way, he discovers a passion for dance that unites his family, inspires his community and changes his life forever.
The cast of Billy Elliot the Musical is the largest in Porchlight’s history and includes Jacob Kaiser and Lincoln Seymour sharing the title role of “Billy Elliot;” Shanésia Davis*, “Mrs. Wilkinson;” Sean Fortunato*, “Dad;” Iris Lieberman*, “Grandma;” Adam Fane, “Tony Elliot;” Peyton Owen, “Michael Caffrey;” Nicole Cready, “Mum;” ”Princess Isis Z. Lang, “Debbie Wilkinson;” with Jordan DeBose, “George/Ensemble;” Gabriel Robert, “Small Boy;” John Gurdian, “Big Davey/Ensemble;” Michelle McKenzie-Voigt, “Lesley/Ensemble;” Jeff Bouthiette, “Scab/Posh Dad/Ensemble;” Tommy Novak, “Mr. Braithwaite/Ensemble;” Ivan Bruns-Trukhin, “Older Billy/Ensemble/Understudy Grandma Dancer;” Bernell Lassai III, “Pit Supervisor/Ensemble;” Logan Baffico, “Posh Boy;” Alejandro Medina, “Tall Boy;” Jessica Vann, “Clipboard Woman/Ensemble;” Graham Hawley, “Accordion Player/Grandma Dancer/Ensemble/Understudy “Older Billy;” Jacob Voigt, “Ensemble;” Roy Brown, “Ensemble;” Jenny McPherson, “Ensemble/Grandma Dancer;” Kayla Boye, “Ensemble;” and Darby Leetch, “Alison Summers;” Moriah Mitchell, “Keeley Gibson; Paula Hlava, “Angela Robson;” Anna L. Bramlett, “Julie Hope;” McKenna Rogers, “Karen Davidson;” Emerson Tait, “Sharon Percy;” Katelyn Montgomery, “Margaret Gormley;” Kendall Sorkin, “Tina Harmer;” Ayla Gray, “Tracy Atkinson” and Bernadette Olivia Schwegel, “Susan Parks.”
Additional members of the creative/production team of Billy Elliot the Musical include Porchlight Artistic Associate Bill Morey, costume designer; Denise Karczewski, lighting designer; Christopher Rhoton, scenic designer, Robert Hornbostel, sound designer; Mealah Heidenreich, props designer; Adrian Abel Azevedo, assistant director; Kayla Boye, assistant choreographer/dance captain; Sara Haverty, assistant to the choreographers/associate child supervisor; Sammi Grant, dialect coach; Jaq Seifert, fight choreography; Sean McStravick*, stage manager; Corey Boughton*, assistant stage manager; Matt Nadler, assistant stage manager; Shannon Desmond, assistant stage manager; Joaquin Gomez, child supervisor/ASM swing and Samantha Treible, wardrobe supervisor.
Musical Director Madonia conducts and is the pianist with musicans Justin Kono, drums/percussion; Cara Hartz, reeds; Sarah Younker, french horn; Greg Strauss, trumpet; Cesar Romero, guitar and Dan Kristan, electric bass.
*Denotes member of Actors’ Equity Association
ABOUT BRENDA DIDIER, DIRECTOR/CO-CHOREOGRAPHER
Brenda Didier, a Porchlight Music Theatre artistic associate, returns to Porchlight where she last directed and choreograhed In The Heights and the award-winning Dreamgirls. Didier is a multiple Jeff Award recipient in both direction and choreography, and the recipient of After Dark Awards, BroadwayWorld awards and the National Youth Theatre award. She is the proud owner and artistic director of the Lincolnshire Academy of Dance, celebrating its 20th season. Other credits include work at the Goodman, Chicago Shakespeare, Second City, Theatre at the Center, BoHo, Mercury Theatre Chicago, Theo Ubique Cabaret Theatre, Stage Left, Six Flags Great America, Busch Gardens Virginia, Cirque Shanghai at Navy Pier, T-Mobile’s national commercial “Home for the Holidays,” The Kenny Rogers Christmas Tour and the University of Illinois, University of Wisconsin and Carthage College.
ABOUT CRAIG V. MILLER, CO-CHOREOGRAPHER
Craig V. Miller returns to Porchlight Music Theatre where he choreographed the Porchlight Revisits production Little Me and was the assistant choreographer for the Jeff Award-winning Ain’t Misbehavin’. As a guest artist, he has performed with the Civic Ballet of Chicago’s production of The Nutcracker, Esoteric Dance Project, Dance in the Parks, and Chicago Dance Crash. Additional choreography credits include: The Color Purple at Mercury Theater Chicago where he was the associate choreographer and won the Broadway World Award-Best Choreography in a Musical and Carl Neilsen’s Maskarade (Vox3 Collective, choreographer). His work has also been presented at Dance Chicago, Dance Chance and Chicago Freelance Dance.
ABOUT LINDA MADONIA, MUSIC DIRECTOR/CONDUCTOR/PIANIST
Linda Madonia is a Porchlight Music Theatre artistic associate and has previously worked with Porchlight on Porchlight Revisits Little Me, A Funny Thing Happened on the Way to the Forum and Double Trouble. As a music director and conductor in the Chicago area for more than 30 years, Linda Madonia’s recent credits include Mary Poppins and I Left My Heart: A Salute to the Music of Tony Bennett at The Mercury Theatre. Other credits include Grand Hotel and Nunsensations at Drury Lane Water Tower Place, and A Chorus Line, She Loves Me and Me and My Girl at Theatre at the Center and The Man Who Murdered Sherlock Holmes at Mercury Theatre Chicago. For the past nine years, Linda has been the music director for Chicago’s Equity Joseph Jefferson Awards. Madonia also owns American Eagle Productions, a touring theater company that takes shows and workshops directly into schools. American Eagle has been doing shows for twenty-four years and presents 250 shows a year to Chicago area schools.
ABOUT SHANÉSIA DAVIS, “MRS. WILKINSON”
Shanésia Davis makes her Porchlight Music Theatre debut with this production. Recent credits include Baltimore Center Stage: Jazz and Intimate Apparel, Mark Taper Forum/ Goodman Theatre: Immediate Family (NAACP award nomination) and Congo Square’s What I Learned in Paris, Brothers of the Dust. Other credits include South Coast Rep’s Intimate Apparel; The Gift/Steppenwolf’s Richard III; Court Theatre/American Blues Theater’s Native Son; Steppenwolf’s Our Lady of 121st St, One Arm, and The Glass Menagerie; The Goodman’s Watermelon Rinds (Jeff nomination), Black Starline, Spunk, The Visit, Drowning Crow (Jeff/BTAA nominations). Davis’ Film and TV credits include Early Edition, Cleveland Abduction, Empire, Chicago Fire, Crisis, Detroit 187, Chicago Hope, Missing Persons, Making a Case for Murder: The Howard Beach Story, Internal Rivals, Consumed, Damaged Goods, The Weatherman, Uncle Nino and Life Sentence.
ABOUT SEAN FORTUNATO, “DAD”
Sean Fortunato makes his Porchlight Music Theatre debut with this production. His recent credits include Cabaret at Theatre at the Center and Death of a Streetcar Named Virginia Woolf: A Parody at Writers Theatre. Other credits includeThe Diary of Anne Frank, Hedda Gabler, The Real Thing, Rosencrantz and Guildenstern are Dead, Travels with My Aunt, The Chosen, Incident at Vichy, A Phoenix Too Frequent, Richard II, Rough Crossing, Spite for Spite (Writers Theatre), 2666, Measure for Measure (Goodman Theatre), Spamalot, The Producers (Theatre at the Center), Pericles, Cyrano De Bergerac, School for Lies, Sunday in the Park with George and Timon of Athens (Chicago Shakespeare Theater), “Rene Gallimard” in M. Butterfly (Court Theatre), “Detective Cioffi” in Curtains (Drury Lane Theatre) and work at Northlight Theatre, TimeLine Theatre Company, Remy Bumppo Theatre Company, About Face Theatre, Marriott Theatre, Next Theatre and First Folio Theatre. Regional credits include Intiman Theatre (WA), The Old Globe (CA), The Duke on 42nd (NY) and twelve seasons with Peninsula Players (WI), where he played “George” in Sunday in the Park with George. His film amd TV credits include The Merry Gentleman directed by Michael Keaton and Chicago PD. Fortunato has received four Joseph Jefferson Award nominations and an After Dark Award.
ABOUT PORCHLIGHT MUSIC THEATRE AS RUTH PAGE ARTIST IN-RESIDENCE
Porchlight Music Theatre is proud to be a member of the vibrant Ruth Page Center for the Arts community and an Artist In-Residence. Central to the Ruth Page Center for the Arts ’programming is the Artists In-Residence program, which is designed to serve organizations looking for a home base while they grow or expand their artistic and organizational capabilities. The Center is committed to nurturing and assisting dance and other performing artists, allowing for exchange and collaborative relationships to develop within the artistic community. The Ruth Page Center for the Arts is a destination for quality performing arts, accessible to a wide community regardless of race, gender, age, education or disability. An incubator of artistic energy and excellence, the Ruth Page Center for the Arts carries forward the vision of its founder, legendary dance icon Ruth Page, to be a platform for developing great artists and connecting them with audiences and community.
ABOUT PORCHLIGHT MUSIC THEATRE
As the home for music theatre in Chicago now in its 23rd season, Porchlight Music Theatre is nationally recognized for reimagining classic productions, developing new works and showcasing musical theatre’s noted Chicago veterans and rising stars. Porchlight elevates the genre by providing intimate and powerful theatrical experiences of music theatre through the lens of the “Chicago Style.” The 2017–2018 year marks a milestone for Porchlight as the company becomes an Artist In-Residence at the historic Ruth Page Center for the Arts in Chicago’s Gold Coast. Porchlight’s rich history includes the staging of more than 60 productions with 15 Chicago premieres and five world premieres. Through Porchlight’s “Off the Porch” new works program, the musicals of the next generation are developed and given a first audience. The School at Porchlight is Chicago’s center for music theatre training in the areas of performance, writing and appreciation including the launch of a youth Summer Camp in 2017. The company’s many accolades include 17 Black Theatre Alliance nominations and seven awards, as well as a total of 126 Joseph Jefferson Award nominations resulting in 39 Jeff Awards including four consecutive Best Production awards for Dreamgirls (2016), Sondheim on Sondheim (2015), Ain’t Misbehavin’ (2014) and A Class Act (2013).
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Porchlight Music Theatre is partially supported by generous contributions from the Actors’ Equity Foundation, the Bloomberg Philanthropies, Chapman | Spingola, Attorneys at Law, the Gaylord & Dorothy Donnelley Foundation, James P. and Brenda S. Grusecki Family Foundation, the MacArthur Fund for Arts & Culture at the Prince Foundation, The Saints and the Topfer Family Foundation. The season program is partially supported by a grant from the Illinois Arts Council Agency, a state agency and by a CityArts Grant from the City of Chicago Department of Cultural Affairs & Special Events.